Mezzo-soprano Hilary Ginther enjoys a career which embraces three centuries' worth of operatic repertoire from contemporary to baroque. Opera Now Magazine profiled her in May 2016 as one of ten young American singers intent on taking the opera world by storm ("Written in the Stars"), calling attention to her "substantial and richly colored instrument". Ms. Ginther's Philadelphia Orchestra debut as a featured soloist in the orchestra's first-ever performances of Bernstein's MASS under the baton of Yannick Nézet-Séguin has been recorded by Deutsche Grammophon and was internationally released in March 2018, in commemoration of the composer's centenary.


In the spring of 2019, Ms. Ginther returned to Fargo-Moorhead Opera in the title role of Bizet's Carmen which was described as "...effortlessly powerful and richly emotive.", as well as making her Fort Worth Opera debut as Judy Sinclair in the world premiere of Rachel Peters' Companionship where she was noted as having a "...gorgeously rich, textured timbre."  In September 2019, Ms. Ginther made her debut with Odyssey Opera as Anne Boleyn in Saint-Saëns' Henry VIII and was praised for her "darkly projected voice" and "melting lyricism" (Boston Classical Review).  She has also recently been awarded a grant from the Olga Forrai Foundation for career advancement for dramatic voices. Upcoming engagements include two major Tchaikovskian role and company debuts: Joan of Arc in The Maid of Orléans with New Orleans Opera (February 2020) and Olga in Eugene Onegin with Opera Omaha (February 2021), as well as a return to Fargo-Moorhead Opera in her role debut as Santuzza in Cavalleria rusticana in April of 2020.


Throughout the 2017–2018 season, Ms. Ginther made a series of auspicious debuts on both coasts. She joined MidAmerica Productions on a program of Haydn and Forrest for her Carnegie Hall debut, followed by her New York City Opera debut as Lureen in the US premiere of Charles Wuorinen's Brokeback Mountain, and concluding with her Los Angeles Opera debut performing a double bill of Gordon Getty's operas Usher House and The Canterville Ghost.


During the 2015–2016 season, Ms. Ginther displayed the range of her artistry as both Rosina in Rossini's Il barbiere di Siviglia and the imprisoned Vlasta in Mieczysław Weinberg's The Passenger, both with Florida Grand Opera. Also with Florida Grand Opera she covered Liese in The Passenger and Adalgisa in Norma.


Ms. Ginther's New York appearances have also included performances with the Center for Contemporary Opera in a double bill of Louis Andriessen's Odysseus' Women and Anaïs Nin, the 2017 local premiere of Carlisle Floyd's Prince of Players, in which she created the buffa role of Lady Meresvale, and Sesto in La clemenza di Tito, a role in which Ms. Ginther "made a tremendous impression… a big voice and an actor who could meet the role's demands, doing so with style and dramatic meaning."
Ms. Ginther has fulfilled young artist residencies with Florida Grand Opera, Crested Butte Music Festival, Fargo-Moorhead Opera, Virginia Opera, Wolf Trap Opera, and Opera Saratoga. She has also performed with the Opera in the Heights, Opera Fayetteville, Cincinnati Opera, and Mississippi Opera. Ms. Ginther was a semi-finalist in New Jersey State Opera's 2018 Alfredo Silipigni Vocal Competition, named after NJSO's legendary founder and artistic director. She has also been awarded the Rosalind Jackson Memorial Award for Excellence from Crested Butte Music Festival.  She holds a Master of Music degree from the University of Cincinnati, College-Conservatory of Music.

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